I’ve just started a series of family learning workshops at Ham House - we will be creating a permanent timeline exhibit to celebrate the house’s 400th anniversary. For the first session I made badges for everyone, randomly allocating them a character from the house’s fascinating history.

I’ve been doing a series of education workshops at The Mall Galleries with different visiting schools from Lambeth. The children get to talk about paintings, choose a character from a piece of work in the current exhibition, then make their own book featuring doors into other worlds. The children have been so enthusiastic, it’s been great working there.

I’ve been designing family activities for visitors to Osterley House. There are six different activities altogether: for this one I designed a set of rubber stamps inspired by the Robert Adam architecture, and visitors will be able to mix them up to design their own buildings.

I went to London Zoo this afternoon to deliver the hand-made giant book I have been making for the education department.

It’s a story about one of the zoo’s ferrets, Toffee, visiting all the other animals in the zoo to find out about how they live.

Anne will take both the book and the real-life Toffee with her when she goes to visit schools to explain about the Zoo’s work.

Anne and Sophie (above) were both really pleased with the outcome.

The book is entirely hand-made and a mixture of collage, ink, watercolour and acrylic on Somerset paper, with Japanese binding.

I’ve been making lots of penguins for the hand-made book I am making for London Zoo’s education department - it’s all about the zoo’s ferret, Toffee, meeting the other zoo animals.

Another one from the Compendium show.

Source: ‘The Girl’s Companion’, Blackie and Son, 1940s

Everyone at some time or another has felt a trifle discontented with their general appearance and wanted to change it.

There is no doubt that wearing a festive costume changes your whole physical appearance and personality. You do not feel yourself to be the same person, and it is so exciting to feel different.

The important thing to bear in mind is your type: before making a choice study yourself carefully in a mirror, both front and back view.

Never, never be embarrassed; because it is always a game of fun and frolic, and above all, ‘let’s pretend’.

Here’s another one of my prints from my show ‘Compendium’. This one’s a game called Bachelor’s Kitchen - instructions on how to play are shown below! I like the idea that the penguins have gone on a stag night and gone a bit silly after too many Dubonnets.

Source: ‘Three Hundred and One Things a Bright Girl Can Do’, Jean Stewart, Sampson Low, Marston & Co, 1904

The girls sit in a row, with the exception of one, who goes in succession to each girl and asks her what she will give to the bachelor’s kitchen. Each answers what she pleases, such as a rolling pin or a warming pan.

When all have replied, the questioner returns to the first girl, and puts all sorts of questions, which must be answered by the article which she before gave to the kitchen, and by no other word. For instance, she asks, “What do you wear on your head?” “Mouse trap”. The object is to make the answerer laugh, and she is asked a number of questions until she either laughs or is given up as a hard subject.

The questioner then passes to the next girl, and so on. Those who laugh must pay a forfeit.

I thought it was time I showed some of the work from my current show at The Old Sweet Shop. This print is called ‘Winking’, and the game that inspired it is from ‘Home Games and Amusements’, a Daily Express Publication from the 1930s. This is how you play:

For this game a number of chairs are placed in a circle, sufficient being provided to supply a seat each for the ladies, and one being left over, which is vacant.

The gentlemen then take up their positions, one behind each chair, including the vacant one. The game consists in this gentleman’s trying to fill his vacant chair, which he does by winking at one of the ladies. The lady thus challenged must do her best to leave her seat and fill the vacant one, while the gentleman standing behind her must do his best to prevent her by holding her down in the chair.

The best policy for the gentleman with the vacant chair is to gaze all round the circle, and then suddenly try to catch the eye of one of the ladies when her partner is not looking.

When the ladies have become tired of scurrying back and forth, it becomes the turn of the gentlemen to fill the chairs.

I would love to hear if anyone has ever tried it! Some people visiting the exhibition have.

I will post more of the games prints soon - there is a set of nine. The exhibition is on until October 31st.